Interview with Kristina Hazler

Author: Horst Exler (Translation from German original) Mrs Hazler, it is very difficult to classify you as an author; likely it’s also your intention. How would you characterize yourself? The life is very complex; any level, any subject require different visual angle and certain language for its visualization and understandable transmission. I am one of people who like communication with life in its whole multiformity. Can I ask you? How would you like to classify life? You knew political systems on both sides of iron curtain. What about your personal experiences with them? Where and how did you feel free or non-freely? It’s a difficult question; back along I thought that I am not free and tried to be free more markedly: for example to express my opinion, the possibility to travel, have access to uncensored literature, etc. Then I experienced this “freedom” and finally I realized that I am not free any more. Everyday life, bustle and materialism gobbled me up and I had no time reading and dreaming.  My priorities gradually moved without my will. Only several earthquakes in my life helped me recover and reroute my way again from suggested/illusory freedom to the inner one. It was not easy way. You went knowingly on a journey to separate worlds to be able to write out your stories. Did you want to find a ”conscious”  slowdown or meditation? We can talk about decision if you have no other possibility? It is a possibility, rescue when nothing makes sense? I mean a period when the black things are not black and the white ones are not white any more,  when you can’t trust your eyes, your ears don’t want to hear what they are hearing, when all the world is falling on you and an unavoidable disaster is coming on. No, it was not meditation, it was a step toward life, a resurrection. When I read your stories, I feel a pleasant „slowdown“. Is it your intention? Do you want to send back people or to bring them more to their root, to their inner world? My experiences and research showed that each of us has a possibility to perceive some subject being relevant for him in an optimal way some at certain velocity  and process it for his own behalf. The purpose of my books is to offer to people the possibility, space or frame for meeting/knowing their individual optimum velocity and this way to immerse to their own world without  formalities or visibility and at the same time to know the multidimensional dimensions or frequencies.     You wrote several books and stories taking place in various realities and on various consciousnesses levels and despite that you are always surprised with action and events. What are you inspired and driven with and what’s your orientation point? I am always inspired with a vivid feeling and unusually brisk communication and exchange that I experience just rarely in outside world but that I need as some source of basic food. And time after time I orientate myself according to very strong faith that this question/topic will appear just when I will be ready to get answer; in other words, I try to follow impulses telling me to do what I „ must”.    Often it seems as if you in your stories “switch over“ among one and many worlds. How do you manage that? Good question! In fact, I don’t know. Maybe it is due my talent, maybe due the fact that I know just one world and don’t feel it like switching over but nevertheless I am well acquainted in human drawers and I once look to the one of them, then to the other one…  Anyway, it took a long time until I learnt how to treat for example with fears  when I opened a drawer marked „fear“. Suddenly, it seems like you are in a world of concentrated fears and at the same time you shouldn’t forgot that it’s just one drawer, one folder and besides them there is a splendid mixture, in which everything is in some balance.) One of your books takes place in fictive container world where the people are surrounded with walls all the time. What do you think this metaphor should mediate to readers? It can be different – as I said before, everything consists of various layers so a container  represents  many metaphors and everyone will get his own one. The walls determinate the space, to which we withdraw during the  reading. My personal wish is to show that any isolation – inner or outer – can become a creative, clarifying and healing moment and that such isolation often occurs due to incorrectly directed  visual angle in outer world and vice versa. Anyway, another thing is to that at the point we consider the wall or border needn’t be the end of all things (world, life). In other words, it doesn’t mean that if we don’t see something, we deliberately don’t perceive that we are not in permanent contact/exchange/communication with this thing. Due to your education and experiences you consider yourself  more a processor or   a guide through human topics that means some kind of consciousness trainer/ consciousness coach, than an author and expert for solving the problems? You named is concisely for this moment. What do you think – do the people communicate less with their own egos, with their own  wishes and needs in this century? I believe that they constantly communicate but they don’t know about it; that means they do it subconsciously. They can ” leave” and their minds can be in “other” world; for example they chat at computer but they just project their own egos to this media and in fact, they try to talk with themselves  and this way to find the answer for some questions – although at the end they will find the answer : „Here you won’t find yourself.“  Do you help people to learn this moving of views and to

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